The British Academy of Film and Television Arts has announced the nominations for the EE British Academy Film Awards 2018 Explore the full list of this year's EE British Academy Film Awards nominations. They were revealed earlier this month along with the new host for the ceremony, Joanna Lumley. Here's quick look
Film Sound
MUSIC+SOUND AWARDS 2018 NOW OPEN FOR ENTRIES
The Sound Architect’s Top Audio Picks of 2017!
Every year is packed full of exciting releases across all creative industries, and 2017 was no exception. Games, film, TV, and more all showed numerous examples of innovation, experimentation, talent, forward thinking, and bold decision making, and audio continued to prove itself as a worthy facet of our media. With
Gerald’s Game: A Netflix Original Audio Review
Review by Andrew Overfield Edited by Katie Tarrant Publisher: Intrepid Pictures Composer(s): The Newton Brothers Sound Designer/Supervising Sound Editor: Trevor Gates Distributed by & Reviewed on: Netflix This year has had quite the ups and downs for writer, Stephen King. The Dark Tower and the re-imagining of The Mist both met pretty low review scores as
Justice League: An Audio Review
Review by Andrew Overfield Edited by Sam Hughes Distributor: Warner Bros. Pictures Composer: Danny Elfman Supervising Sound Editor(s): Scott Hecker / Chuck Michael Reviewed on: Cinema I’ve been really hoping that DC pull it out the hat when it comes to their cinematic universe. I genuinely loved Man of Steel, wasn’t the most impressed with Batman
Baby Driver – Audio Review
Article by Jake Basten Edited by Katie Tarrant Director: Edgar Wright Composer: Steven Price Supervising Sound Editor: Julian Slater Director Edgar Wright's (Hot Fuzz, Scott Pilgrim vs the World) newest release tells the story of Baby (Ansel Elgort), a getaway driver for a gang of robbers trying to get away from a life of
Thor: Ragnarok Film Sound Review
Review by Katie Tarrant Edited by Sam Hughes Directed by: Taika Waititi Composer: Mark Mothersbaugh Sound Design: Skywalker Sound Long awaited, Thor: Ragnarok is the third instalment in Marvel’s Thor series, and for me has been one of the best Marvel movies so far. Directed by Taika Waititi, Ragnarok is action-packed, visually stunning, well-structured, and downright
Marvel’s The Defenders – A Netflix Exclusive – Audio Review
Review by Andrew Overfield Edited by Sam Hughes Distributor: Netflix Studio: Marvel Television Composer: John Paesano Sound Designer: Jordan Wilby Supervising Sound Editor: Lauren Stephens Reviewed on: Netflix Once again your resident unofficial superhero content reviewer is back after a brief hiatus. I’m coming back to you with a review of Marvel’s The Defenders. A Netflix exclusive series
Manchester by the Sea Film Sound Review
Article by Jake Basten Edited by Katie Tarrant Director: Kenneth Lonergan Composer: Lesley Barber Supervising Sound Editor/Designer: Jacob Ribicoff Released in December 2016, Manchester by the Sea tells the story of Lee Chandler (Casey Affleck) as he returns to his hometown to look after his teenage nephew when the boy’s dad dies. It’s a
Alien: Covenant Film Score Review: Ridley Scott’s Final Homage to Goldsmith’s Original Theme
Article by Damien Walsh Edited by Sam Hughes Production Companies: TGS Entertainment, Scott Free Production & Brandywine Productions Director: Ridley Scott Composer: Jed Kurzel Alien: Covenant is a 2017 American science fiction horror film directed by Ridley Scott and starring Michael Fassbender, Katherine Waterston & Billy Crudup. This is a sequel to the 2012 film