Interviews

#TBT – Voice Actor/Composer, Elspeth Eastman Interview (TSAP S01E04, 2014)

by Sam Hughes - 01025
Elspeth Eastman

#TBT - Back in 2014, Sam spoke to Elspeth Eastman about her career, advice and more!   Like what you hear? Why not drop us a quick review on Podchaser! Want to sponsor an episode? E-mail Sam at sam@thesoundarchitect.co.uk for your sponsorship to be read out on the podcast.   "Elspeth is a voice actor, composer,

Composer/Producer/Sound Designer – Cody Matthew Johnson Interview

by Sam Hughes - 0772

(TSAP S03E07) Sam speaks to Cody Matthew Johnson about working on Devil May Cry 5 & Resident Evil 2 as well as his other projects, motivation and inspiration, plus his career path and more!  Like what you hear? Why not drop us a quick review on Podchaser! Want to sponsor an episode? E-mail

Composer, Grant Kirkhope Interview (TSAP S01E03, 2014)

by Sam Hughes - 0429

#TBT - Back in 2014, Sam spoke to Banjo-Kazooie and Goldeneye composer, Grant Kirkhope about his career, advice for composers and more!     Like what you hear? Why not drop us a quick review on Podchaser! Want to sponsor an episode? E-mail Sam at sam@thesoundarchitect.co.uk for your sponsorship to be read out on the

Resident Evil 3’s NEMESIS and Nikolai, Neil Newbon (TSAP S03E6)

by Sam Hughes - 01193

In this episode, Sam speaks with Actor Neil Newbon about his work in Resident Evil 3 as NEMESIS (Performance Capture), Nikolai (Capture & VO) and others, his acting career, performance capture and more!   Like what you hear? Why not drop us a quick review on Podchaser! Special Thanks to Toivo Kallio

Resident Evil 3 Remake’s Voice of Jill Valentine, Nicole Tompkins (TSAP S03E05)

by Sam Hughes - 01195
Resident Evil 3 Jill Valentine

Sam Hughes speaks with Voice Actor Nicole Tompkins about her acting career, inspirations, her role as Jill Valentine in the Resident Evil 3 Remake and more!   Special Thanks to Callum Tennick for Editing Want to sponsor an episode? E-mail Sam at sam@thesoundarchitect.co.uk for your sponsorship to be read out on the podcast.   "Nicole

Adam Pleiman, Creative Director- Gwynne Sound

by Sam Hughes - 0606

(TSAP S3E04) Sam Hughes speaks with Adam Pleiman about how his career, inspirations, workflow and more!       Special Thanks to Callum Tennick for Editing Want to sponsor an episode? E-mail Sam at sam@thesoundarchitect.co.uk for your sponsorship to be read out on the podcast.   Adam a sonic strategist & creative director, this combination of talents has

Jason Graves, Composer – The Dark Pictures Anthology, DC’s Swamp Thing (TSAP S03E03)

by Sam Hughes - 0578

Sam Hughes speaks with Jason Graves about how his career developed, mentors, inspirations, workflow and more!     Special Thanks to Callum Tennick for Editing Want to sponsor an episode? E-mail Sam at sam@thesoundarchitect.co.uk for your sponsorship to be read out on the podcast.   Two-time British Academy Award-winning composer Jason Graves is renowned for his textural

Matt Morton, Composer – APOLLO 11, The Last Steps, Dinosaur 13 (TSAP S03E02)

by Sam Hughes - 0617

Sam chats with composer, Matt Morton about his career so far and working on the incredible documentary APOLLO 11 that uses archival footage to look at the Apollo 11 mission to land on the moon led by commander Neil Armstrong and pilots Buzz Aldrin and Michael Collins.    Special Thanks to Callum

Jacob Yoffee & Roahn Hylton – Composers – The Age of A.I., Sherwood, Best Shot (TSAP S03E01)

by Sam Hughes - 0458

  In the first episode of the year (and decade 😲), we kick off season 3 with composers Jacob Yoffee and Roahn Hylton.   In this episode Sam discusses with them about scoring YouTube's The Age of A.I. hosted by Robert Downey Jr., how they began working together, how to compose as

TSAP S02E13: Laura Karpman – Composer for (Why We Hate, Sitara: Let Girls Dream)

by Sam Hughes - 0556
Laura Karpman

Sam Hughes speaks to brilliant composer, Laura Karpman in this powerful episode to finish the year. They discuss her career so far, working on mediums and her most recent projects. In this episode they go into detail of writing music for the powerful documentary Why We Hate, plus the just as